{"id":49,"date":"2026-02-05T09:00:50","date_gmt":"2026-02-05T09:00:50","guid":{"rendered":"http:\/\/miguel-guerreiro.com\/?page_id=49"},"modified":"2026-02-05T09:48:27","modified_gmt":"2026-02-05T09:48:27","slug":"credits","status":"publish","type":"page","link":"https:\/\/miguel-guerreiro.com\/?page_id=49","title":{"rendered":"Credits"},"content":{"rendered":"\n<div class=\"row column-row nor-shortcodes\"><div class=\"one-half column\"><p><span style=\"color: #ff6600;\"><span style=\"font-size: 21px;\">TELEVISION<\/span><\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>EASTENDERS<\/strong><\/span> Director. 32 x 30\u2019. BBC. 2021-2025<br><span style=\"font-size: 13px;\">Winner of the 2025 BAFTA Television Award for Best Continuing Drama.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>CASUALTY<\/strong><\/span> Director. 2 x 50\u2019. BBC. 2023<\/p>\n<p><span style=\"color: #4D5656;\"><strong>CORONATION STREET<\/strong><\/span> Director. 6 x 60\u2019. ITV. 2022-2024<\/p>\n<p><span style=\"color: #4D5656;\"><strong>EMMERDALE<\/strong><\/span> Director. 21 x 30&#8242;. ITV. 2021-2024<\/p>\n<p><span style=\"color: #4D5656;\"><strong>FAIR CITY<\/strong><\/span> Director. 8 x 30\u2019. RT\u00c9. 2022<\/p>\n<p><span style=\"color: #4D5656;\"><strong>HOLLYOAKS<\/strong><\/span> Director. 62 x 30&#8242;. Channel 4. 2018-2021<br><span style=\"font-size: 13px;\">Nominated for Best Single Episode at The British Soap Awards 2022.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>A FAM\u00cdLIA VENTURA<\/strong><\/span> Director. 4 x 50&#8242;. RTP. 2017<br><span style=\"font-size: 13px;\">Nominated for Best Series or TV Movie at the Portuguese Film Academy Sophia Awards 2018.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>MINIST\u00c9RIO DO TEMPO<\/strong><\/span> Director. 7 x 45&#8242;. RTP. 2017<\/p>\n<p><span style=\"color: #4D5656;\"><strong>MASSA FRESCA<\/strong><\/span> Director. 100 x 42&#8242;. TVI. 2016<\/p>\n<p><span style=\"color: #4D5656;\"><strong>BEM-VINDOS A BEIRAIS<\/strong><\/span> Director. 640 x 42\u2019. RTP. 2013-2015<\/p>\n<p><span style=\"color: #4D5656;\"><strong>PAI \u00c0 FOR\u00c7A 3<\/strong><\/span> Director. 20 x 45&#8242;. RTP. 2011<\/p>\n<p><span style=\"color: #4D5656;\"><strong>LA\u00c7OS DE SANGUE<\/strong><\/span> Director. 223 x 45&#8242;. SIC\/TV Globo. 2010-2011<br><span style=\"font-size: 13px;\">Winner of Best Serial Drama at the 39th International Emmy Awards, New York.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>VOO DIRECTO<\/strong><\/span> Director. 26 x 45&#8242;. RTP\/TPA. 2010<\/p>\n<p><span style=\"color: #4D5656;\"><strong>PERFEITO CORA\u00c7\u00c3O<\/strong><\/span> Director. 180 x 45&#8242;. SIC. 2009<\/p>\n<p><span style=\"color: #4D5656;\"><strong>PODIA ACABAR O MUNDO<\/strong><\/span> Director. 180 x 45&#8242;. SIC. 2008-2009<\/p>\n<p><span style=\"color: #4D5656;\"><strong>FEITI\u00c7O DE AMOR<\/strong><\/span> Director. 20 x 50&#8242;. TVI. 2008<\/p>\n<p><span style=\"color: #4D5656;\"><strong>MORANGOS COM A\u00c7\u00daCAR 5 VER\u0100O<\/strong><\/span> Director. 25 x 50&#8242;. TVI. 2008<\/p>\n<p><span style=\"color: #4D5656;\"><strong>MORANGOS COM A\u00c7\u00daCAR 5<\/strong><\/span> Director. 192 x 50&#8242;. TVI. 2007-2008<\/p>\n<p><span style=\"color: #4D5656;\"><strong> MORANGOS COM A\u00c7\u00daCAR 4 VER\u0100O<\/strong><\/span> Director. 68 x 50&#8242;. TVI. 2007<\/p>\n<p><span style=\"color: #4D5656;\"><strong> MORANGOS COM A\u00c7\u00daCAR 4<\/strong><\/span> Director. 190 x 50&#8242;. TVI. 2006-2007<\/p>\n<p><span style=\"color: #4D5656;\"><strong>O BANDO DOS QUATRO<\/strong><\/span> Writer. 3 x 40\u2019. TVI. 2006<\/p>\n<div class=\"one-half column\"><\/div><\/div>\n<p><span style=\"color: #ff6600;\"><span style=\"font-size: 21px;\">IN DEVELOPMENT<\/span><\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>THE LONGEST NIGHT<\/strong><\/span> Fiction. Television\/streaming, 5 x 50\u2019<br><span style=\"font-size: 13px;\">Psychological thriller adapted from the novel by Ana Cristina Silva. Produced by Fado Filmes. Attached to direct and EP.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>LIVES IN SHADOWS<\/strong><\/span> Drama documentary. Television\/streaming, 6 x 45&#8242;<br><span style=\"font-size: 13px;\">Historical\/true crime hybrid drama documentary. Writer\/Director.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>HAND BLOW<\/strong><\/span> Fiction. Feature film<br><span style=\"font-size: 13px;\">War drama. Attached to direct.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>COMPLICITY<\/strong><\/span> Fiction. Feature film<br><span style=\"font-size: 13px;\">Adaptation of Susannah Finzi\u2019s full length stage play \u2018Blind Eye\u2019. Attached to direct.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>LA GARDIENNE\/THE GUARDIAN<\/strong><\/span> Fiction. Television\/streaming, 5 x 50\u2019<br><span style=\"font-size: 13px;\">Real time thriller set in Paris based on true events. Attached to direct.<\/span><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"font-size: 21px;\">FILM<\/span><\/span><\/p><p><\/p>\n<p><span style=\"color: #4D5656;\"><strong>A FAM\u00cdLIA VENTURA<\/strong><\/span> Director. Fiction TV film, 108&#8242;. RTP. 2018<br><span style=\"font-size: 13px;\">Nominated for Best Series or TV Movie at the Portuguese Film Academy Sophia Awards 2018.<\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>EARLY RELEASE<\/strong><\/span> Producer\/Director. Fiction short, 8&#8217;20&#8221;. 2014<br><span style=\"font-size: 13px;\">Clermont-Ferrand Market 2015.<\/p>\n<p><span style=\"color: #4D5656;\"><strong>SPEECHLESS<\/strong><\/span> Writer\/Director. Fiction short, 7\u2019. 2003<\/p>\n<p><span style=\"color: #4D5656;\"><strong>A PLACE TO BE<\/strong><\/span> Writer\/Director. Drama documentary short, 10\u2019. 2003<\/p>\n<p><span style=\"color: #4D5656;\"><strong>LE PARKOUR<\/strong><\/span> Producer. Documentary short, 12\u2019. 2003<\/p>\n<p><span style=\"color: #4D5656;\"><strong>FRAGMENTS<\/strong><\/span> Writer\/Director. Fiction short, 6\u2019. 2002<\/p><p><\/p><p><\/p>\n<p><span style=\"color: #ff6600;\"><span style=\"font-size: 21px;\">THEATRE<\/span><\/span><\/p>\n<p><span style=\"color: #4D5656;\"><strong>RIDDANCE by Linda McLean<\/strong><\/span> Director. The Cockpit Theatre, London. 2012<\/p>\n<p><span style=\"color: #4D5656;\"><strong>EAST by Steven Berkoff<\/strong><\/span> Director. Karamel Music Club, London. 2012<\/p>\n<p><span style=\"color: #4D5656;\"><strong>THE ACID TEST by Anya Reiss \/ BREATHING CORPSES by Laura Wade<\/strong><\/span> Director. Rehearsed reading. Ralph Richardson Memorial Studios, London. 2012<\/p>\n<p><span style=\"color: #4D5656;\"><strong>A NUMBER by Caryl Churchill<\/strong><\/span> Director. Karamel Music Club, London. 2012<\/p>\n<p><span style=\"color: #4D5656;\"><strong>FEAR AND MISERY by Mark Ravenhill<\/strong><\/span> Director. Ralph Richardson Memorial Studios, London. 2011<\/p>\n<p><\/div><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":0,"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=\/wp\/v2\/pages\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/miguel-guerreiro.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}